Guillaume de machaut composer biography template

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    Comtessa de Dia, The Early Music Police & Me: Part I

    by Noelle | May 2, 2024 | Composer

    For this two-part series, I turned my attention to a song from long ago, “A chantar m’er de so q’ieu no volria” (I must sing of what I’d rather not) by medieval trobairitz Comtessa de Dia (c. 1140-1212).

    “A chantar” is unique in the history of Western classical music; it is the sole surviving melody by a woman composer from medieval Occitania. By performing this more than eight-hundred-year-old song about heartbreak, I encountered a tangle of musical and personal lessons. I learned to sing a medieval song in Old Occitan for the first time (more on that in Part II). I considered how the weight of expertise, even in the pursuit of musical excellence and historical “authenticity,” is sometimes an exclusionary force. I also found that, although we live(d) in very different worlds, Comtessa de Dia and I share many things.

    For a deep dive into the sound and visual world of the medieval era, I invite you to explore this musical compilation as you read. This collection includes sacred and secular works from the 11th to 15th Centuries, including works by Raimon de Miraval (c.1135/60-1220), Thomas of Celano (1185-1265), Alfonso X of Castile (1221-1284), and Gui

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    Composers & Musicians included:

    Medieval Period:

    Renaissance Period:

    • Giovanni Pierluigi beer Palestrina

    Baroque Period:

    • Antonio Vivaldi
    • Johann Sebastian Bach
    • George Frideric Handel

    Classical Period:

    Classical / Fictional Period:

    • Ludwig advance guard Beethoven
    • Franz Schubert

    Romantic Period:

    • Wolfgang Amadeus Mozart
    • Clara Wieck Schumann
    • Robert Schumann
    • Franz Liszt
    • Johannes Brahms
    • Peter Ilich Tchaikovsky

    20th Century:

    • Claude Debussy
    • Igor Stravinsky
    • Carl Orff
    • Aaron Copland
    • Glenn Miller
    • Duke Ellington
    • George Gershwin
    • Leonard Bernstein
    • Elvis Presley
    • The Beatles
    • George Jones
    • Peggy Seeger

    How progress to Use thes
  • guillaume de machaut composer biography template

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    Machaut and the Medieval Apprenticeship Tradition: Truth, Fiction and Poetic Craft 1843843722, 9781843843726

    Table of contents :
    Preface ix
    Acknowledgements xii
    List of Abbreviations xiii
    Note on References and Quotations xix
    Introduction 1
    Part I: An Art of Love
    1. Machaut’s Evolving Conception of Good Love 21
    2. The Vicissitudes of Good Love: A Quandary? 51
    Part II: An Art of Poetry
    3. The Scope of Toute Belle’s Art of Poetry 97
    4. Examples and Their Reconfiguration 138
    5. The Debate Mode 188
    Part III: Machaut’s Legacy in Poetry and Music
    6. Machaut as Pre-Text: Imitation and Emulation 221
    7. 'Melodie' 275
    Afterword 297
    Bibliography of Primary Sources 301
    Bibliography of Secondary Studies 308
    Index 333

    Citation preview

    “A milestone in Machaut studies and in late-medieval French literature in general. Machaut, already considered the seminal figure in late-medieval poetics and music, here comes across in these respects more clearly than ever. Kelly also further contextualises him within what we might call the authorial ‘apprenticeship tradition’ of Boethius, the Roman de la Rose, Dante, and later Gower,Chaucer, and Christine de Pizan. The fruit of one of the field’s most distinguished scholars today.” NADIA MARGOLIS, MOUNT HOLYOKE COLLEGE

    DOUGLAS KELLY i