Dang the luan vietnam vietnamese music
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Art of Don ca tai tu music and song in the South of Viet Nam
In its ordinary meaning, Court Music is understood as music genres, including music for dance and opera, used in worshiping ceremonies, national court – organized festivities, and occasions of entertainment for Kings and Royal families. But the term Nha Nhac (imported from China) was used by Vietnamese feudal dynasties from the Ho Dynasty with different meanings, for example sometimes indicating general court music, sometimes court ritual music in particular, sometimes indicating music department, even a concrete orchestra.
The initial foundation of Nha Nhac – the Vietnamese Court Music began conceiving since the 13th century but it only reached the peak at the Hue Court under the Nguyen Dynasty (1802-1945). The Court Music was officially formed along with the rise of Nguyen Dynasty in the early 19th century. In about 1947, 1948, Madame Tu Cung (mother of King Bao Dai, wife of King Khai Dinh) gathered once again some court music artists, helping to maintain some genres of Hue Court Music and dance. In the 1980s, it began to attract attention of the Ministry of Culture and local authorities. In the 1990s, Hue Court Music enjoyed renaissance. Thereafter Hue Court Music has been introduced much abroad.
The differ
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Music from Vietnam 2
Hué
The City of Hûe occupies a special position in Vietnamese musical tradition. The music of this city is known for its beautiful melodies, with a distinctive touch of melancholy.
This recording features imperial ceremonial music, the seductive, romantic songs of the oarsmen, as they glide along in their sampans, the more ancient traditional music from Hûe, but also the infectiously rhythmic music of the Vietnamese cult of the saints.
- Hhac nen Nu tuong xuat quan
- Ho mai nhi, nam ai, nam binh
- Puh luc 'Ngam canh nho nguoi
- Total playtime 70'48
En öppen mötesplats för den skapande människan
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the project
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