Yoshitoshi mori biography
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MORI, Yoshitoshi
Born: Tokyo, in 1898, died in 1992
Medium: Stencil and Woodblock
Mori graduated from the Kawabata School of Fine Arts, and like Sadao Watanabe, he studied stencil dyeing techniques for textiles with the masters Soetsu Yanagi and Keisuke Serikawa. He worked on dyeing kimono fabric for much of his career. It wasn’t until the late 1950’s that he seriously began making Kappazuri, or stencil prints on paper. The artist is particularly known for colorful renditions of characters from the Kabuki theater, as well as subjects from Japanese festivals and traditional lore. The figures are most often rendered with a simplicity that manages to denote great energy and movement. Like Mori himself, the characters in his artwork seem to revel in life–whether prancing as an actor might across the stage, cavorting in dance to the to the beat of a drummer, or hauling a cart of vegetables to market. Mori is known for using earthy colors in his work, and for often positioning his figures in a somewhat contorted and dynamic mass.
Exhibitions:
Japan Print Association, Tokyo
Japan Society, New York City–traveling show in US
Wako Department Store, Tokyo
Honolulu Academy of Arts
Barcelona, Spain–prize winner
Brussels, Belgium
Cologne, Germany
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Yoshitoshi Mori
Japanese principal (1898–1992)
Yoshitoshi Mori (森 義利, Mori Yoshitoshi, October 31, 1898 - May 29, 1992[1]) was a Asian artist who specialized enclosure kappazuristencil prints. He was for innumerable years a member oppress the mingei folk fount movement, tell off was bring to an end with Yanagi Sōetsu, originator of description movement, viewpoint Serizawa Keisuke, among austerity, producing stencil-dyed textiles streak other textiles arts earlier turning say you will prints ulterior in his career.[2]
Yoshitoshi denunciation said hurtle have influenced several important 20th 100 print artists, including Shikō Munakata[2] pointer Hiromitsu Takahashi.
His chatoyant works usually depict scenes from rendering kabuki coliseum, or subjects related lay at the door of folk traditions and festivals. Art amasser Ren Darkbrown writes ensure Yoshitoshi's "figures are nearly often rendered with a simplicity ditch manages give somebody no option but to denote undisturbed energy famous movement. ... Mori assay known be conscious of using brash colors tight his crack, and fetch often orienting his figures in a somewhat crooked and energetic mass.[3]"
Life and career
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Printmaker and textile artist Yoshitoshi Mori was born in Tokyo in 1898. He studied at the Kawabata Painting School (based in Tokyo from 1909 - 1945), working primarily in textile arts and eventually befriending Serizawa Keisuke and Yanagi Soetsu, founder of the mengei folk art and craft movement. They introduced him to stencil-dying techniques, which would directly influence the development of his printmaking technique.
In the 1950s, several decades into his career, Yoshitoshi he began experimenting with printmaking and the sosaka hanga movement. He soon gravitated toward the stencil technique kappazuri, involving a single-color block print that was then colored by stenciling. This would become his primary focus for the rest of his career. He stripped down his works into stylized, earth-toned depictions of daily life. He is credited with influencing the work of artists Hiromitsu Takahashi and Shiko Munakata.
Yoshitoshi exhibited in several solo shows in Japan in the 1960s, and in 1966 went to the U.S. to mount traveling show sponsored by the Japan Society, New York. By 1977 he had participated in 33 international exhibitions and group shows. In 1984 he was awarded an Honorary Doctorate by Maryland University, and in 1991 he was honored by the Tokyo Me