M t vasudevan nair biography for kids
•
M. T. Vasudevan Nair Age, Death, Wife, Children, Family, Biography
• Short Story Writer
• Screenplay Writer
• Film Director
• Randamoozham
• Manju
• Kaalam
• Asuravithu
• Iruttinte Athmavu
• Kerala Jyothi
• Jnanpith
• Kendra Sahitya Akademi Award
• Kerala Sahitya Akademi Award
• 2025: Padma Vibhushan
• Kumaranelloor High School, Vellaloor, Kerala
• Calicut University
• Mahatma Gandhi University
•
M. T. Vasudevan Nair
Mist: Organism of Duskiness
Sangam Books
Bombay, 1974
Übersetzung: V. M. Premila, Sarasvati Menon
The Inheritance
Vikas
Neu-Delhi, 1975
Übersetzung: Celine Matheu
Nalukettu
Poorna
Kalkutta, 1979
Asuravithu
Sahitya Akademi
Trichur, 1981
Übersetzung: V. Abdulla
Catching plug up Elephant predominant Other Stories
Rupa & Co.
Kalkutta, 1991
Übersetzung: V. Abdulla
Second Rotate
MacMillan Bharat
Chennai, 1997
Übersetzung: P.K. Ravindranath
The Demon Failure and Goad Writings
Penguin
Neu-Delhi,1998
Übersetzung: V. Abdulla und Gita Krishnankutty
Kaalam
Sangam
London, 1998
Übersetzung: Gita Krishnankutty
The Frontiers of Fiction
Sahitya Akademi
New Metropolis, 2000
Kuttiedathi spreadsheet Other Stories
Orient Longman
New City, 2004
Übersetzung: V. Abdulla.
The Chieftain Carpenter
Katha
New Metropolis, 2005
Übersetzung: Gita Krishnankutty
Übersetzer: V.Abdulla, Gita Krishnankutty, Celine Matheu, P.K.Ravindranath, Cock Torberg
•
The first time MT Vasudevan Nair sent a story to a magazine, he used the pen name VN Thekkepattu, his family name, as he had seen writer SK Pottekkatt do. The second time, he prefixed the name of his hometown, Koodallur in Palakkad, following the example of writer Thakazhi Sivasankara Pillai. The third time, he decided to use his official name, MT Vasudevan Nair. Months later, when he received a parcel of copies of Chitrakerala, a magazine published in Madras, he discovered that all three of his stories had been printed.
That was the start, many decades ago. When MT -- two letters that he would be fondly called by -- passed away on Christmas day of 2024, he left generations of Malayalis grappling with a grief akin to a personal loss. This was the great writer, who had taken his poetic prose to cinema and brought literature closer to Malayalis like no one before. It would seem apt to begin writing his story from that year, when his own foray into literature began.
A lot of reading and writing took place during that year when MT sat at home, having finished high school but missing out on college because the family could not afford to send two siblings to the university at the same time. One of MT’s brothers was already in college. Until then, he had little access to boo