Dardenne brothers biography of michael jordan

  • Take a look at a sample from Damon Smith's interview with the brilliant Belgians, and then click below to read his entire profile and interview.
  • The Last Dance is a 10-part documentary series that chronicles Jordan's last season with the Bulls, and features interviews from many of the team's stars.
  • The Belgian social realists Luc and Jean-Pierre Dardenne fabricate simple but not simplistic human dramas examining the moral and ethical dilemmas of working-.
  • TSPDT

    "The Dardennes' films hardly have dialogue; their characters don't make big speeches. Instead, their camera says it all, simple and effective, with respect. In doing so they achieve the pressing social relevance that all realist cinema aims for." - Ernest Mathijs (501 Movie Directors, 2007)

    Jean-Pierre Dardenne & Luc Dardenne

    Director / Screenwriter / Producer
    JEAN-PIERRE (1951- ) Born April 21, Engis, Wallonia, Belgium; LUC (1954- ) Born March 10, Awirs, Wallonia, Belgium
    Top 250 Directors/ 21st Century's Top 100 Directors

    Key Production Countries: Belgium, France, Italy
    Key Genres: Drama, Psychological Drama, Social Problem Film, Coming-of-Age, Family Drama, Crime Drama
    Key Collaborators: Alain Marcoen (Cinematographer), Marie-Hélène Dozo (Editor), Olivier Gourmet (Leading Character Actor), Igor Gabriel (Production Designer), Denis Freyd (Producer), Fabrizio Rongione (Leading Actor), Jérémie Renier (Leading Actor), Morgan Marinne (Leading Character Actor), Frédéric Bodson (Character Actor), Olivier Bonnaud (Leading Actor), Florian Delain (Leading Character Actor), Bernard Marbaix (Leading Character Actor)

    "So much of modern cinema is built on visual flourishes and technological gimmicks that it&rsqu

  • dardenne brothers biography of michael jordan
  • Posted by Tim Brayton Posted on Aug - 8 - 20130 Comments

    Menace to society

    Fruitvale Station is a debut feature, and you don't ever lose sight of that fact. The good news is that it is an especially promising debut feature, and whatever it is that writer-director Ryan Coogler has in mind for his next project, it's something we should all be very excited about, particularly if it occupies the same aesthetic space as this picture, something so unadorned and observant of a particular way of living in a particular place for a particular stratum of humanity that it can't be referred to as anything other than "naturalism", though few and far between are the naturalist movies that have such interesting ideas about what to do with naturalism once you've gotten it; where a great many movies would take "this is a depiction of a culture virtually never seen in cinemas, and this is the behavior of an individual in that culture" as justification in itself, in Fruitvale Station, that is merely the opening gesture.

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