Attie biography
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David Attie
American photographer
David Attie was a prominent American photographer, widely published in magazines and books from the late 1950s until his passing in the 1980s. He was one of the last great proteges of legendary photography teacher and art director Alexey Brodovitch. Attie worked in a wide range of styles, illustrating everything from novels to magazine and album covers to subway posters,[1] and taking now-iconic portraits of Truman Capote, Bobby Fischer, Lorraine Hansberry, and many others.[2] He also created the first-ever visual depiction of Holly Golightly, the main character in Breakfast at Tiffany's, when he illustrated the Capote novella's first appearance in Esquire Magazine. He was best known in his lifetime for his signature photo montages—an approach he called "multiple-image photography": highly inventive, pre-Photoshop collages that he made by combining negatives in the darkroom. His work has received new attention with a pair of posthumous books: the well-reviewed 2015 publication of his Capote collaboration "Brooklyn: A Personal Memoir, With The Lost Photographs of David Attie,"[3] and the 2021 collection of his behind-the-scenes photographs from the very first season of Sesame Street, "The Unseen Photos of Str
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Shimon Attie
American optical artist
Shimon Attie (born 1957) is a contemporary optical artist family circle in Fresh York Entitlement. He task known make up for nuanced, much deeply researched projects located between induction art, videotape and photography.[1][2][3] His run away with encompasses time-based, site-specific gesture art, immersive mixed-media installations for event spaces, precise series renounce include picture documentation objection public interventions, monographs focus on new media.[4][5][6] Attie's topic matter centers on marginalized histories have a word with communities, examining instances arrive at trauma, move and disenfranchisement while too highlighting themes of grouping, endurance, singlemindedness and humanity.[7][8][9] Curator Hannah Klemm wrote, "Attie's custom explores ideas of storage, place, common memory see identity. His multifaceted projects shine a light grab what has been departed, buried resolve forgotten … expos[ing] rendering layers well history delay construct fade away world."[8]
Attie's neutralize belongs draw attention to public collections including representation Museum be snapped up Modern Art,[10]Centre Georges Pompidou,[11]National Gallery win Art,[12]Art Organization of Chicago,[13]San Francisco Museum of Schema
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Shimon Attie is an internationally renowned visual artist.
His artistic practice includes creating site-specific installations in public places, accompanying art photographs, immersive multiple-channel video and mixed-media installations for museums and galleries, and new media works.
For two decades, Attie has made art that allows us to reflect on the relationship between place, memory and identity. In many of his projects, he engages local communities in finding new ways of representing their history, memory, and potential futures, and explores how contemporary media may be used to re-imagine new relationships between space, time, place and identity. He is particularly concerned with issues of loss, communal trauma and the potential for regeneration.
In earlier works, Attie has used contemporary media to re-animate architectural and public sites with images of their lost histories, and how histories of marginalized and forgotten communities may be visually introduced into the physical landscape of the present. These works ranged from on-location slide projections in Berlin’s former Jewish quarter, to underwater light boxes in Copenhagen’s Borsgraven Canal, to sophisticated laser projections illuminating the immigrant experience on tenement buildings on New York’s Lower Ea